In 2019, what Jianzhan are worth collecting?

[Collectible Jianzhan NO.1]

    Lv Zhuxing's "Imitation Song Silver Rabbit Hair"

Size: 13.2 x 7.6 cm

  1. This Jianzhan is modeled after the highest auction record of Sotheby's, which is a 1-to-1 firing of a Song Dynasty Jian kiln "silver rabbit hair" Jianzhan, with a highly authentic restoration                                                
  2. The "rabbit hair" Jianzhan is one of the most representative works of the Song Dynasty, with an imitation Song Dynasty shape, ancient silver hair, and full of Song Dynasty charm.
  3. Lv Zhuxing is one of the first inheritors of intangible cultural heritage, and he has dedicated ten years of hard work to research and fire this Jianzhan, making it highly appreciable with a large potential for appreciation.

Pei Chunyuan's "Antique Oil Spot"

Size: 12.5 x 6.6 cm

1.This Jianzhan is fired in a 1-to-1 ratio to the 78.28 million Southern Song Dynasty "oil spot" Jianzhan auctioned at Christie's New York, with a high degree of restoration of over 90%.

2.Winner of the "Best Inheritance Award," this Jianzhan has extremely high artistic and collection value.

  3.Pei Chunyuan is currently a provincial-level master, and there is still a lot of room for appreciation in the future. Pei Chunyuan's Jianzhan prices are also quite high.

  Chen Dapeng's "Bundled Mouth Red Partridge"

Size: 8.1 x 5.7 cm

  1. Chen Dapeng is a Chinese arts and crafts master, famous in the Jianzhan world for his"partridge spot" series.
  2. The "red partridge" is fired a second time on the basis of the "yellow partridge," with even lower yield and even rarer high-quality pieces. It is difficult to find such a fine Jianzhan.
  3. Chen Dapeng is over 70 years old, and his physical and mental strength is not as strong as before. The future appreciation potential of his works is unlimited.

      Huang Meijin's "Nebula Cup"

Size: 8.1 x 4.2 cm

  1. This Jianzhan has a very rare Zen-style shape, with the artist's signature "Jin" character and the double bottom inscription of the "Nebula" Master Buddha image by Huang Meijin.
  2. Huang Meijin is the founder of the "golden oil spot" style, and his "golden oil spot" series is irreplaceable.
  3. Huang Meijin is one of the top five masters in the Jianzhan world, and his works currently have considerable collection value and potential for appreciation in the future.

Sun Jianxing's "National Gift Oil Spot"

Size: 9.5 x 5.1 cm

  1. This work, with the same pattern as the "National Gift Oil Spot," has a high cultural significance internationally.
  2. Sun Jianxing is the only national-level inheritor of intangible cultural heritage, and his works have a high collection value. Pei Chunyuan's Jianzhan prices are also quite high.
  3. Oil spot Jianzhan has been a rare and precious treasure since ancient times, and this Jianzhan has a strong metallic texture with a silver-blue luster, making it of superior quality.

Lu Jixi's "Bundled Mouth Iridescent Change"

Size: 7.5 x 5.6 cm

  1. Iridescent change is one of the four major glaze colors of Jianzhan, and it is also the most difficult to fire, known as the supreme masterpiece of Jianzhan.
  2. Lu Jixi is the first person in the Jianzhan world to master the iridescent change glaze, and his iridescent change Jianzhan has an extremely high similarity to the Japanese national treasure iridescent change Jianzhan.
  3. Iridescent change Jianzhan is rare in the market, and Lu Jixi has unlimited potential. This work has a large potential for appreciation.

          Chen Dapeng's "Large Bundled Mouth Yellow Partridge"

Size: 12.5 x 7 cm

  1. Chen Dapeng is the only Jianzhan master to receive the National Lifetime Achievement Award, and the "partridge spot" series is his representative work.
  2. The large bundled mouth shape above 10cm is difficult to produce in pulling and firing, and the partridge spot pattern is layered and of superior quality.
  3. Chen Dapeng is now over 70 years old, and his physical and mental strength is not as strong as before. However, the potential for appreciation of his future works is unlimited. Pei Chunyuan's Jianzhan prices are also quite high.

Li Da's "Complete Partridge Spot"

Size: 8.6 x 4.6 cm

  1. Li Da is a master of Chinese ceramic art and a legendary figure in the Jianzhan world, who has achieved great success in both Jianzhan theory and practice.
  2. The classic expression of three-dimensional crystallization, with gray spots, silver spots, and burnt spots intertwined with each other, and with colors in the burnt spots and blue reflections in the silver spots.
  3. Li Da has stopped firing Jianzhan for a long time, and there is no foreseeable plan to resume firing. The yield of Jianzhan is already low, and the "Complete Partridge Spot" is even harder to find!

          Sun Jianxing's "Precious Iridescent Change"

Size: 8.8 x 5.3 cm

  1. Iridescent change is the most difficult glaze color to fire in Jianzhan, and is known as the supreme masterpiece of Jianzhan.
  2. Sun Jianxing is the only national-level inheritor of intangible cultural heritage in the Jianzhan world, and his iridescent change Jianzhan is known as a "national treasure."
  3. The three complete extant iridescent change Jianzhan from the Song Dynasty are recognized by the Japanese Agency for Cultural Affairs as national treasures, indicating the appreciation potential of iridescent change Jianzhan.

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